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Posts Tagged ‘sound healing story’

Deer Woods, MagikMagik and I went into the woods before the day got hot and the workday got underway. Sometimes we play follow the leader, sometimes Magik follows me, today I followed Magik. He had a mission in mind, to find the crunchiest piece of bark in the forest to munch on.

We walked up one trail, down another. Earlier that morning I used a newly learned grounding technique. I ran cold water on my feet, then hot, then cold, then hot, then cold again. Walking, I felt much more connected to the earth, sure-footed.

Magik rounded the bend, I rounded the bend and to my delight I found a sleek black and white feather. A little further down the trail I found two owl feathers.

Magik hopped over and under fallen tree trunks. I followed until we got to Grandmother Oak tree with Bay Laurels for arms. I greeted Grandmother Oak, she greeted me. Magik took the opportunity to munch on bark, while I got settled. I took my crystals out and waved the feather over them and over me. I didn’t wave the feather over Magik in case he thought it was food.Deer Woods, feather I started to sing, checking in to my surroundings, finding my comfort. Mostly animals, not people visit this sacred place, so I felt comfortable to let go quickly.

When I sing, I can feel what emotions are hanging around in me, I can observe them and start to loosen them with sounds I make. Thoughts drop away and the raw feelings are exposed. I softened into sadness, a soulful sadness. When you sing sadness, you can stretch it and dive deep into it. You can be intimate with it, and you can witness it. You can sing on the outside of sadness and find joy there. You can sing sadness and joy, back and forth until you slip between into the liminal.

An Old One came to watch her. Perhaps she was an old Faerie Queen, or maybe she was the crone, or a Shamaness who came to just sit and be with the singer. Folds of eyelids closed over bright, keen, hawk eyes. White wisps of hair feathered her face. Her nose was strong, and determined like her character. Her lips flat and used to smiling a lot. She held her head with a soft majesty. Her presence filled the liminal with peace. Together the Old One and the singer sat waiting, listening deeper. The singer wasn’t sure what she was waiting for or listening to, but that didn’t matter, she surrendered to the peace.The singer sang, and the Old One listened. The singer sang cascading waterfalls, and silent moments. The singer played hide-n-seek with notes that darted around the trees and back again. Somewhere in the play the Old One disappeared and the singer opened her eyes. A deer was watching her. The singer sang tender, tender gentleness to the earth. She caressed the trees with butterfly kisses. Her voice echoed through the forest, leaping and skipping, and eager to play. The deer was still, so very still for the whole song. Nary an eyelash moved. The singer lowered her voice, still circling notes, making them rise with the wind and fall with the leaves. The deer moved closer, each step purposeful, eyes focused on the singer.

Deer Woods, deerThe singer finished her song, honoring the tree, the earth, and the deer. The deer watched the singer. Their eyes held a long moment. Then the deer walked away, raising legs over brush, one leg, two leg, three leg, four. It was rhythmic, almost like a deer march. The deer made its own sounds, singing short bursts of air. One breath, two breath, three breath, four. They walked away, down the hill, leaving the singer and Magik alone, sitting before Grandmother Oak with Bay Laurel trees for arms.

Copyright © 2014, Vlatka Herzberg, all rights reserved. You may not reproduce materials without permission from Vlatka Herzberg.
Photos © 2014 Vlatka and Theodore Herzberg

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vulture sigel 1
It was a brilliant sunny day. The sky was electric Moonstone blue. The trail had just the right amount of moisture so I could smell the pungency of earth. Shadow and light played hide-and-seek through the woods. Magik the Corgi had a perma-grin on, finding extra smelly things to roll into.
We took the long way around to the Red Rock. When we finally arrived someone was already there. It was a woman and four year-old-boy. I was going to just walk by, but Magik did one of his stubborn Corgi antics and wouldn’t budge. Instead he looked at me with that big, silly grin that said “We’re going to the Red Rock, huh? How ’bout it?” So of course he won.

I trudged up the trail behind the happy Corgi, and asked the woman if she wouldn’t mind if we sat at the Red Rock. She said, “Sorry, no English.” We managed to communicate well enough for us to agree to share the space. She offered us some food. I declined, although I’m sure the Corgi would have loved to chow down on granola bars. I looked at various red jasper rocks as I listened to the Aunt and her nephew talk in Italian. There is something lyrical and mysterious listening to the rhythm of a language without knowing its meaning. If you listen intently you start to intuit some of the meaning. It was beautiful to watch Aunt and nephew picnicking on the ground, enjoying nature, each other, and the drooling Corgi. I really wanted to sing and wondered if I should just go ahead or wait. Well as though they read my thoughts they said their good-byes to me and Magik and left.

I took a twin crystal out of my pocket and began to sing into. There are days when I sing when it feels like I’m stumbling, eventually finding my way. Sometimes the song seems like the same one I have been singing for a while, and then other times magic happens, and I’m in the zone.

Today, magic happened, and I felt this utter oneness with the Red Rock, the wind, the sun, and the water. I felt connected to all things and in that oneness I could touch people in the Ukraine, or Afghanistan with my song. I could touch polluted waters, and people I love and care about in different places in the world. I felt not only moved by the Divine, I was singing the Divine, and the Divine was singing me.
vulture sigel 2
The song finished sweetly and completely. I opened my eyes and noticed that there was a group of vultures circling and cresting the air in the forest across from me, and then in an instant they swooped over me, so low I could hear them.They pulled my attention to the electric Moonstone blue sky. I gazed in awe and wonder as 30, 40, maybe 50 vultures danced swirling, and swooping patterns in the sky. There wasn’t a kill! They were flying merely for the joy of it! That was so clear! It was utterly amazing! I felt such wonder. I watched until the patterns of vultures undulated over the hill and back into the Unknown. I was in awe. What an enchanting moment!

A long time ago a shaman told me not to listen to the books or even videos about what certain animal characteristics (totem meanings) were about. He instead suggested to observe animals in nature. I have noticed that often when I sing, actually almost every time, vultures circle above me when there is no kill. I have written stories about vultures twice. They have always felt like boundary dwellers, the guardians between worlds, gatekeepers to the natural world. A sound healer and musician from Peru suggested that vultures are the American version of the condor and therefore can symbolize protection, and transformation and transmutation of energy.

To me, vultures are more than scavengers. Today, I experienced the sacred in them, and am grateful!

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