Magik and I went into the woods before the day got hot and the workday got underway. Sometimes we play follow the leader, sometimes Magik follows me, today I followed Magik. He had a mission in mind, to find the crunchiest piece of bark in the forest to munch on.
We walked up one trail, down another. Earlier that morning I used a newly learned grounding technique. I ran cold water on my feet, then hot, then cold, then hot, then cold again. Walking, I felt much more connected to the earth, sure-footed.
Magik rounded the bend, I rounded the bend and to my delight I found a sleek black and white feather. A little further down the trail I found two owl feathers.
Magik hopped over and under fallen tree trunks. I followed until we got to Grandmother Oak tree with Bay Laurels for arms. I greeted Grandmother Oak, she greeted me. Magik took the opportunity to munch on bark, while I got settled. I took my crystals out and waved the feather over them and over me. I didn’t wave the feather over Magik in case he thought it was food. I started to sing, checking in to my surroundings, finding my comfort. Mostly animals, not people visit this sacred place, so I felt comfortable to let go quickly.
When I sing, I can feel what emotions are hanging around in me, I can observe them and start to loosen them with sounds I make. Thoughts drop away and the raw feelings are exposed. I softened into sadness, a soulful sadness. When you sing sadness, you can stretch it and dive deep into it. You can be intimate with it, and you can witness it. You can sing on the outside of sadness and find joy there. You can sing sadness and joy, back and forth until you slip between into the liminal.
An Old One came to watch her. Perhaps she was an old Faerie Queen, or maybe she was the crone, or a Shamaness who came to just sit and be with the singer. Folds of eyelids closed over bright, keen, hawk eyes. White wisps of hair feathered her face. Her nose was strong, and determined like her character. Her lips flat and used to smiling a lot. She held her head with a soft majesty. Her presence filled the liminal with peace. Together the Old One and the singer sat waiting, listening deeper. The singer wasn’t sure what she was waiting for or listening to, but that didn’t matter, she surrendered to the peace.The singer sang, and the Old One listened. The singer sang cascading waterfalls, and silent moments. The singer played hide-n-seek with notes that darted around the trees and back again. Somewhere in the play the Old One disappeared and the singer opened her eyes. A deer was watching her. The singer sang tender, tender gentleness to the earth. She caressed the trees with butterfly kisses. Her voice echoed through the forest, leaping and skipping, and eager to play. The deer was still, so very still for the whole song. Nary an eyelash moved. The singer lowered her voice, still circling notes, making them rise with the wind and fall with the leaves. The deer moved closer, each step purposeful, eyes focused on the singer.
The singer finished her song, honoring the tree, the earth, and the deer. The deer watched the singer. Their eyes held a long moment. Then the deer walked away, raising legs over brush, one leg, two leg, three leg, four. It was rhythmic, almost like a deer march. The deer made its own sounds, singing short bursts of air. One breath, two breath, three breath, four. They walked away, down the hill, leaving the singer and Magik alone, sitting before Grandmother Oak with Bay Laurel trees for arms.
Copyright © 2014, Vlatka Herzberg, all rights reserved. You may not reproduce materials without permission from Vlatka Herzberg.
For Photo References: http://www.pinterest.com/storynanny/